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The Ins & Outs of Signing a Record Deal
  • In Conversation with Renao: On Growing Up Between Worlds, Music, and Belonging
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  • July 2022 Release Rewind
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  • What We Look for in an AWAL Artist
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  • May 2022 Release Rewind
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  • April 2022 Release Rewind
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  • The REPRESENT Brunch
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  • The Ins & Outs of Signing a Record Deal
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  • AWAL Renews Global Deal with Spacey Jane
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  • AWAL Signs Tora-i to Global Recordings Deal
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  • AWAL Signs Tom Misch for Forthcoming Album
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  • AWAL Signs Jungle to Global Recordings Deal
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  • AWAL Signs Worldwide Recordings Deal with Payton Moormeier
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  • Top 10 Uncommon Secrets For Uploading, Marketing & Releasing Your Music
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  • AWAL Signs Global Deal With Joesef
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  • AWAL Artists Earning Over $100,000 In Annual Streaming Revenue Grows By Over 40%.
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  • AWAL Extends Deal With The Wombats For Upcoming Fifth Album
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  • AWAL and Little Simz Team Up Again For Highly Anticipated Album
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  • AWAL Teams Up With Zoom To Support United Nations COVID-19 Response
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  • Welcoming Alaina Castillo & Chosen People to AWAL
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  • Crisis (Tour) Management: A Road Warrior’s Battle With COVID Fallout
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  • Managing Up: From Shopping Carts to “Sicko Mode”
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  • Augment THIS: The Social Power of Pink Balaclava AR
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  • Welcoming mxmtoon to AWAL
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  • 400M+ Sold: Uncut Gems From A Music Supermanager
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  • Welcoming Pete Giberga as Head of A&R
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  • New Decade, New Reads: 2020 Music Industry Stories
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  • Welcoming Australian Indie Band, Spacey Jane
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  • How The Youth Moves: Music Media Through A Teen’s Eyes
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  • 53M Fans: Group Chats Power The Nations’ Internet Empire
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  • 1000 New Fans: Close Talker’s 3D Audio Tour Experiment
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  • Welcoming girl in red to the AWAL Family
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  • Iceland’s Music Scene Is (Still) Punching Above Its Weight
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  • AWAL Hires Jennifer Kirell as Vice President, Catalog Marketing
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  • Welcoming RaeLynn to the AWAL Family
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  • What Happens When You Drop Rising UK Artists In Music City, USA
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  • SPACES: girl in red Hit 150M Streams With Inclusive Self-Love And A $150 Mic
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  • Nicki Shamel Promoted to VP, Digital Sales & Account Management, NA
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  • The Other Nashville Society And Nashville Convention & Visitors Corp Announce London AWAL Artist Immersion Week
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  • Aaron Bogucki Promoted to Vice President, Marketing
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  • Please Tour Responsibly: Managing Chaos on the Road
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  • How FEWOCiOUS Turned Old Artwork Into Her Own Business
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  • AWAL & Icelandair Team Up for Iceland Airwaves Music Festival Showcase
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  • 2019 Autumn Reading List: Music Industry Edition
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  • Welcoming Sam Potts as Vice President of Promotions
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  • Views May Vary: How Formats Impact Music Marketing
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  • Welcoming Simon Fuller’s Global Pop Group Now United to AWAL
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  • So You Think You Can #Ad Spend?
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  • I’ve Got A Synch: How Songs Land UK’s Hit Series ‘Love Island’
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  • A Globetrotting Tour Manager On Nerf Guns, Dead Phones, 24/7 Hustle
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  • Past Due: The Rise & Fall of Album Delays
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  • Welcoming Juicebox Recordings, Franc Moody, & Joe Hertz to AWAL
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  • Welcoming Round Here Records to the AWAL Family
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  • AWAL and PRS Foundation Partner for Women Make Music Fund
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  • Shay Lia Wants to Tell You What It Really Takes
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  • How Sustainable Is Your Streaming Income?
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  • How This Viral IG Visual Artist Makes Magic From Scraps
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  • How An Old Game Amplified A 2019 Streaming Hit
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  • Welcoming Bianca Bhagat as SVP of Synch & Brand Partnerships
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  • Browser History: Best Industry Reads 2019 (So Far)
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  • Welcoming R&B/Soul Artist Snoh Aalegra to AWAL
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  • The Ups & Downs Of Live LIfe
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  • Welcoming Indie Rock Band Cold War Kids to AWAL
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  • Survival of the Optimized: YouTube On YouTube
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  • Op-Ed: The Sounds That Shaped My Life ft. Simon Curtis
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  • Music Is Looking Less Top-Heavy Than Ever Before
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  • AWAL Signs Upstream Deal with Australian Musician Angie McMahon
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  • When We Sleep Where Do Royalties Go?
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  • Jessica Johnson Named Director of Promotion, Rock Formats at in2une
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  • Steve Lacy & 3QTR Join AWAL
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  • 10 Career Lessons from a Bipolar, Schizophrenic Music Journalist
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  • 11 Artists On Safeguarding Their Headspace During Tour
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  • Welcoming Daniel Stuart as Senior Vice President of US Business Affairs
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  • A Brief Inquiry Into Building Music Empires With 1975 Manager Jamie Oborne
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  • Bringing ‘A World Artists Love’ to The Great Escape 2019
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  • Imran Ahmed’s In Real Life Joins the AWAL Fam
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  • Decoded: The History of Record Deals
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  • SideOne Dummy Records Joins the AWAL Fam
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  • AWAL Launches Radio Show Residency on foundation.fm
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  • Welcoming Thomas Fiss to Foster Brand Partnerships for AWAL Artists & Labels
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  • Building Your Dream Team: The Creative Director
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  • Building Your Dream Team: The Music Publisher
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  • Welcoming Delphine Ferre to Oversee International Marketing at AWAL
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  • Masters of Scale: The Music Producer
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  • The Tiny Bedroom Where FINNEAS & Billie Eilish Are Redefining Pop Music
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  • [Mis]Conceptions: Women In The Mix
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  • Welcoming Leading Independent Label, B-Unique, to the AWAL Fam
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  • AWAL Signs Upstream Deal With Alt-Pop Artist Millie Turner
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  • Beyond the Playlist: Artist Marketing Tools
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  • Radio’s Place In A Streaming World
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  • What to Know Before You Drop A Dime On Music (1 of 5)
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  • Decoded: Another Smart Artist Talks Smart Artist Marketing
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  • This Visual Framework Makes Smart Spending Easier (2 of 5)
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  • How Artist Development Powers Artist Marketing (3 of 5)
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  • Setting Up Music Marketing Campaigns for Success (4 of 5)
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  • The Art of Making Smart Music Marketing Ideas Happen (5 of 5)
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  • Blake Rose On In-N-Out, Big Nipples, Industry Nonsense
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  • Welcoming the New Head of Canadian Operations Chris Hardy to AWAL
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  • Soulful R&B Singer-Songwriter Omar Apollo Joins AWAL
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  • AWAL Takes Over Antone’s at SXSW to Create “A World Artists Love”
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  • Building Your Dream Team: The Music Publicist
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